Excellence in Early Music

Historically Informed Performance on Period Instruments since 1985

Lucinda Moon and Greg Dikmans

Lucinda Moon

Violin & Associate Director

Greg Dikmans

Flute & Artistic Director

Greg Dikmans and Lucinda Moon have been working together for over 25 years. In this time they have developed a fruitful collaboration built around an approach to historically informed performance that is characterised by careful scholarship combined with subtle, tasteful and, above all, unpretentious musicianship.

Dialogue: The Art of Elegant Conversation

An ongoing series of concerts exploring the theme of Dialogue: The Art of Elegant Conversation.

3 Flutes – 3 Pitches – 3 Sound Worlds

Experience the supple tones and dynamics of period instruments.

Greg and Lucinda explore the rich and varied repertoire of the 18th-century instrumental solo without bass and the duo for two melody instruments. Some of the composers are not so well-known today, but in the 18th-century were deservedly considered among the best of their time.

A selection of movements from rarely performed works by:

  • Jacques Hotteterre ‘le Romain’
  • Joseph Bodin de Boismortier
  • Johan Helmich Roman
  • Georg Philipp Telemann
  • Johann Joachim Quantz
  • Carl Philipp Emanuel Bach

photo of viola d'amore

Lucinda with her viola d’amore

“We have been experimenting with using Lucinda’s viola d’amore in some of our French duo repertoire. It sounds absolutely beautiful at A=390 with Greg’s Hotteterre flute. The combination of the two instruments is magical. The d’amore has a very resonant, silvery sound.”

About the Instruments and Pitch

Greg plays on three different flutes. Each flute has its own particular sonority and character (partly because of the pitch/length, but also the internal construction). Different flutes are appropriate for different types of repertoire. The sonority of Lucinda’s violin also changes with the different pitches. These pitches and sonorities create varied sound worlds which complement the music beautifully.


  • Copy of flute by Jacques Hotteterre in Paris c.1700.
    Pitch A=390Hz (French opera pitch 1660–1750)
  • Copy of flute by Joannes Hyacinth Rottenburgh in Brussels c.1720.
    Pitch A=400Hz (French chamber pitch 1680–1800 - used throughout Europe)
  • Copy of a four-keyed flute by Carl August Grenser in Dresden c.1780.
    Pitch A=430Hz (“Classical” pitch)
Detail photo of flutes by JH Rottenburgh, CA Grenser and J Hotteterre

Flutes: JH Rottenburgh, CA Grenser & J Hotteterre

All the flutes were made by Rudolf Tutz in Innsbruck, Austria.


  • Presumed Italian (c. 1700)

Viola d’amore

  • Made by Peter Biffin (Armidale, NSW) in 2002.

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Read a recent Concert Review

Quantz CD Released in February 2014


Elysium Ensemble has released its recording of duets by Johann Joachim Quantz (1697–1773). This is the first of a series of recordings as part of its Historical Performance Research Project.

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Listen to excerpts

Album booklet

CDs will be available for purchase at our Concerts.

Elysium Ensemble gratefully acknowledges the support of:

Simone Pérèle

Photo of Lucinda & Greg: Leonard Szabliński (2013)